Choosing a plate that will move
A still that animates well is chosen, not made. What to look for before you fall for a frame.
Nature Scenes journal
Field notes, licensing explainers and picture-editing practice from Nature Scenes. Written to be read, not to be counted.
A still that animates well is chosen, not made. What to look for before you fall for a frame.
Where the horizon sits decides whether a plate can carry type, survive a 2.39 crop, and hold a logo. It is one decision with three consequences.
A still that will not sit in a sequence is usually clean, not badly graded. Matching grain fixes it in one operation.
The wide crop is not free. Thirty-seven per cent of the frame goes, and which thirty-seven per cent decides everything.